Embroidery

New! Read three sample articles from the March/April 2004 issue in PDF format

JOURNEY THROUGH THE MYTHSCAPES The work of Alice Kettle (488K)
IN THEIR OWN WORDS Audrey Walker and Roz Hawksley (440K)
AT THE CUTTING EDGE Clyde Olliver (296K)

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What's in the September 2004 issue ...

Linda Miller	Jenny Lee Katz	Gavin Fry	Rosalind Wyatt
It's a Wonderful, Wonderful Life Linda Miller's machine embroidery encapsulates her vision of the good life Jo Hall	Of Material Concern Jenny Lee Katz's hangings are influenced by the traditions of the Amish community	A Narrative of His Own Gavin Fry's solo show is one of the highlights at this Autumn's Knitting and Stitching Shows Mary Cozens-Walker	The Heart of the Matter Philosophy and calligraphy are the cornerstones of Rosalind Wyatt's ethereal work Jo Hall

Jean Littlejohn	Pat Klein	Candace Bahouth	Olivia Hardman	Sharon Peoples
In Their Own Words Jan Beaney and Jean Littlejohn talk about teaching, stitching, and getting into Double Trouble Jan Beaney and Jean Littlejohn	The Alchemy of Stitching Pat Klein discovered embroidery late in life but she has been making up for lost time	Fragments of the Same Thing Ian Wilson talks to Candace Bahouth, weaver and needlepoint designer turned mosaicist Ian Wilson	School's Out for Summer Round-up of student work on show this summer	Antipodean Journeys A look at three contemporary Australian textile artists Jessica Hemmings


The Overlord Embroidery The Overlord Embroidery commemorates the D-day Landings 60 years ago Andrew Whitmarsh	Inside the Collection Building a collection and building connections Lynn Szygenda	St Peter's Needle The obelisk as a pattern motif in 17th century spot samplers Dorothy Bromiley Phelan	Hunza Hats from the Karakoram Mountains Angela Thompson takes us on her journey to North East Pakistan Angela Thompson

In this issue
Editor's Letter
Sept 2004
Books
reviewed
And more...

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Call for contributors

Embroidery is searching for contributors with good feature ideas for the magazine. If you have a burning desire to write on an aspect of embroidery or the related applied arts, both past and present, we would love to hear from you. Initially, we would welcome ideas for our feature pages but we would also like to hear direct from embroiderers and textile artists about their work. Anyone who is interested should email the editor, Joanne Hall - or write to her (see the contact page), with a one-page proposal and an indication of the illustrations they would use.

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