Embroidery

What's in the November/December 2005 issue ...

Mairi Brown	Lauren Shanley	Riitta-Liisa Haavisto		Sue Lawty
A Painter by Nature Mairi Brown's embroidered designs take their cues - and hues - from nature Hannah Adcock	Collage Education Lauren Shanley's inspirational and wearable art dazzles Liz Hoggard	Northern Brights Riitta-Liisa Haavisto's work breaks boundaries, as Nell Znamierowski reveals	Mischievous Materials Historically Inaccurate Decorative Arts lives up to its name Jessica Hemmings	Concealed, Discovered, Revealed June Hill reports on Sue Lawty's impact as the V&A's first textile artist in residence

Olga de Amaral	Tim Harding	Judy Barry and Beryl Patten
Spun Gold Jessica Hemmings discovers how Olga de Amaral's work turns thread into molten metal	The Fabric of Our Lives Tim Harding draws haunting parallels between fabric's fragility and the human body Jessica Hemmings	In Their Own Words Judy Barry and Beryl Patten reflect on their design partnership	Indian Shimmer Brinda Gill introduces us to the gorgeous colourful world of phulkari embroidery

Kathleen Danswan	Nancy Darlington	Emma Crinion
Bowled Over Discover how to make your own beautiful embroidered silk bowl Kathleen Danswan	Ancient and Modern Lynne Woods guides us through Lancaster Priory's scheme of modern embroideries	Stitches Ahead This year's Hand & Lock Prize for Embroidery winners, hot off the press	Pleasurable Patterns Mary Sleigh shows us the rich range of patterns in southern African textiles

In this issue
Editor's Letter
November
2005
Books
reviewed
And more...

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Call for contributors

Embroidery is searching for contributors with good feature ideas for the magazine. If you have a burning desire to write on an aspect of embroidery or the related applied arts, both past and present, we would love to hear from you. Initially, we would welcome ideas for our feature pages but we would also like to hear direct from embroiderers and textile artists about their work. Anyone who is interested should email the editor, Joanne Hall - or write to her (see the contact page), with a one-page proposal and an indication of the illustrations they would use.

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