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Embroidery

What's in the March/April 2006 issue...

work by Maggi Rozycki Hiltner
Maggi Rozycki Hiltner

work by Anna Lewis
Anna Lewis

work by Margaret Nicholson
Margaret Nicholson

Child's Play
Maggy Rozycki Hiltner's deceptively simple embroideries hide highly personal tales that reflect the artist's growing pains
Jessica Hemmings

Chains of Memory
Anna Lewis's exquisite jewellery considers how accessories shape our memories
Liz Hoggard

Margaret Nicholson
Diana Springall pays tribute to the life and work of an extraordinary artist

Centenary Special

work by Rebecca Crompton
Rebecca Crompton

Embroidery  in 1977

Work by Jean Littlejohn
Jean Littlejohn

From Perfection to Freedom
Lynn Szygenda reflects on the progress of embroidery during the early decades of the 20th century as charted through the Embroiderers' Guild Collection

In the Beginning
We take a look back through the pages of Embroidery magazine since its launch in 1932 and celebrate a publishing and stitching phenomenon
Wanda Opalinska, Jo Hall

Close to Home
We preview an exhibition of new work by Jan Beaney and Jean Littlejohn opening in April as part of the Guild's Centenary celebration

work by Marian Bijlenga
Marian Bijlenga

work by Angharad South
Angharad South

Indian embroidered silk

Sign Post to a New Space
Jo Hall reports on the Knitting & Stitching Show symposium

Beautiful South
Angharad South's embroidery is drawing the attention of the fashion and illustration worlds

Collections: The Crafts Study Centre
June Hill continues her series on collections and visits a remarkable archive of 20th century craft and textiles in Farnham, Surrey

Embroiderers' Guild
Embroidery

In this issue
 Editor's Letter
March
2006
 Books
reviewed
 And more...

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Call for contributors

Embroidery is searching for contributors with good feature ideas for the magazine. If you have a burning desire to write on an aspect of embroidery or the related applied arts, both past and present, we would love to hear from you. Initially, we would welcome ideas for our feature pages but we would also like to hear direct from embroiderers and textile artists about their work. Anyone who is interested should email the editor, Joanne Hall - or write to her (see the contact page), with a one-page proposal and an indication of the illustrations they would use.

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