What's in the July/August 2006 issue...

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Charlotte Casadéjus	Jenni Cadman	Veronica Grassi
A Blanc Canvas A chance encounter led Charlotte Casadéjus to transform damaged remnants of antique whitework into exquisite modern pieces for the home Liz Hoggard	Beneath the Surface Jenni Cadman's multi-layered works are the results of her love of landscape Jo Hall	Fragile Beauty Veronica Grassi's extraordinary jewellery transforms unexpected materials before our eyes Jessica Hemmings	Dedicated Followers of Fashion Discover how today's embroiderers in India are shaping their traditional work to meet modern tastes Brinda Gill

Victoria Whitlam	Sandra Meech
A Colourful Career Victoria Whitlam's work takes many forms but remains experimental Jo Hall	Pines and Needles Sandra Meech tells us why her native Canadian landscape remains a constant preoccupation in her work	Net Worth Stephanie Gilbert draws a correlation between fishing and craft, revealing textiles at their most elemental


Collection June Hill introduces us to Beamish, the North of England Open Air Museum, and shares how its collection of local crafts documents the life of its community	Textiles on the Home Front Susanne Griffith provides a fascinating account of the ingenious ways in which embroiderers managed to continue their craft during World War II	In Our Time The inspiring history of the Guild's many and distinguished international exhibitions Lynn Szygenda

In this issue
Editor's Letter
July 2006
Books
reviewed
And more...

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Call for contributors

Embroidery is searching for contributors with good feature ideas for the magazine. If you have a burning desire to write on an aspect of embroidery or the related applied arts, both past and present, we would love to hear from you. Initially, we would welcome ideas for our feature pages but we would also like to hear direct from embroiderers and textile artists about their work. Anyone who is interested should email the editor, Joanne Hall - or write to her (see the contact page), with a one-page proposal and an indication of the illustrations they would use.

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