bold = main titles, italics= authors
| Title/Author | Volume | Page |
|---|---|---|
| Afghan Amulet, The | 44:4 | 216 |
| Aggrey, Anna | 44:2 | 98 |
| All About Gold Threads | 44:2 | 83 |
| Asian Embroidery Workshop | 44:3 | 144 |
| Barnes, William Kentish | 44:2 44:3 | 83 141 |
| Benn, Elizabeth | 44:1 44:2 44:3 | 64 128 192 |
| Blackburn, Lois | 44:4 | 215 |
| Blackley-Goble, Pamela | 44:1 | 17 |
| Borno, The Cia Mai of | 44:2 | 98 |
| Box, Richard | 44:4 | 207 |
| Campbell, Rosemary | 44:3 | 156 |
| Cia Mai of Borno, The | 44:2 | 98 |
| Colombian Embroidery | 44:1 | 30 |
| Connor, Brenda | 44:1 | 26 |
| Corded Quilting - Historical Techniques | 44:1 | 18 |
| Couzins, Elizabeth | 44:1 | 34 |
| Design-sheet Stand | 44:1 | 17 |
| Dolman, Diana | 44:1 | 36 |
| Draper, Jean | 44:2 | 102 |
| Durrant, Jeanette | 44:3 | 148 |
| Dyeing, Painting, Printing and | 44:3 | 162 |
| Embroidered Paper | 44:1 | 26 |
| Embroidery and the Beauty of Nature | 44:4 | 207 |
| Embroidery by Correspondence | 44:3 | 171 |
| Fans as Wallhangings | 44:1 | 36 |
| Fitchett, Greta | 44:1 | 30 |
| Gilt Edge and Gold Horizon | 44:3 | 156 |
| Gold Threads, All About | 44:2 | 83 |
| Gold Threads, More About | 44:3 | 141 |
| Harker, Gail | 44:4 | 226 |
| Holmes, Val | 44:2 | 84 |
| Icons, Angels and Fools | 44:2 | 93 |
| In Search of Russian Drawn Ground | 44:3 | 142 |
| Indian Embroidery | 44:4 | 219 |
| Irene Barnes | 44:3 | 192 |
| Issett, Ruth | 44:4 | 215, 222 |
| Japanese Embroidery | 44:2 | 90 |
| Jones, Jacqueline | 44:2 | 86 |
| Joyce, Ann , Director of the Embroiderers' Guild | 44:2 | 77 |
| Lace and Lacy Effects | 44:2 | 84 |
| Last Year, The | 44:3 | 164 |
| Lichfield Textile Workshop | 44:2 | 102 |
| Maries, Jae | 44:3 44:4 | 153 204 |
| Markal Paintstiks | 44:4 | 222 |
| Martin, Siân | 44:3 | 171 |
| Meadows, Maggie | 44:2 | 78 |
| Melting Moments | 44:1 | 28 |
| Military Tassels and Braids | 44:2 | 80 |
| Millson, Karin | 44:3 | 168 |
| Mitrofanis, Effie | 44:2 | 80 |
| More About Gold Threads | 44:3 | 141 |
| Morgan, Leslie | 44:3 | 162 |
| Morrell, Anne | 44:4 | 219 |
| Morton, Yvonne | 44:2 | 93 |
| Paine, Sheila | 44:1 | 64 |
| Paine, Sheila | 44:4 | 216 |
| Painting, Printing and Dyeing | 44:3 | 162 |
| Paper, Embroidered | 44:1 | 26 |
| Pyman, Kit | 44:2 | 87 |
| Ribbon Work, The Technique of | 44:2 | 87 |
| Rose, Clare | 44:1 | 18 |
| Russian Drawn Ground, In Search of | 44:3 | 142 |
| Smith, Julie | 44:4 | 229 |
| Smith, Pamela | 44:3 | 142 |
| Smith, Ruth | 44:3 | 164 |
| Spender, Michael | 44:2 | 128 |
| Spontaneous Stitch | 44:3 | 148 |
| St Bridget in Elvel | 44:2 | 86 |
| Stitch -Design | 44:4 | 210 |
| Stitch Addiction | 44:1 | 34 |
| Stitched Textiles International Conference | 44:1 | 13 |
| Stones and Circles | 44:2 | 78 |
| Tassels and Braids, Military | 44:2 | 80 |
| Tazawa, Sumie | 44:2 | 90 |
| Technique of Ribbon Work, The | 44:2 | 87 |
| Textile Markers | 44:4 | 226 |
| 'To Boldly Go. . . ' | 44:3 44:4 | 153 204 |
| Torques & Terminals | 44:4 | 229 |
| Town Called Needle, A | 44:3 | 168 |
| Viegas, Eleanor | 44:3 | 144 |
| Wood, Ira | 44:1 | 28 |