bold = main titles, italics= authors, roman = subtitles
| Title/Author | Volume | Page |
|---|---|---|
| Adams, Wendy | 50:2 50:3 | 72 150 |
| Africa, Out of | 50:6 | 346 |
| Art & Inspiration | 50:5 | 270 |
| Art therapy for the artist | 50:5 | 268 |
| Ashurst, Liz | 50:3 | 163 |
| Baker, Margaret | 50:4 | 232 |
| Bothwell Banners, The | 50:4 | 227 |
| Bowes Museum, Embroiderers at the | 50:1 | 44 |
| Brown, Lucy | 50:4 | 230 |
| Brown, Vivienne | 50:2 | 80 |
| Bucharan silk, revival of | 50:2 | 99 |
| Buckingham, Jennie | 50:2 | 112 |
| Butti, Karen | 50:2 50:3 | 88 136 |
| Cardy, Jackie | 50:3 | 142 |
| Catwalk Commissions | 50:5 | 283 |
| Chain Reaction | 50:2 | 72, 74 |
| Cherian, Leela | 50:2 | 102 |
| Chilvers, Sarah | 50:3 | 154 |
| China, Teaching techniques from south-west | 50:4 | 232 |
| Chinese tombs, Art from | 50:2 | 114 |
| Clifford, Lesley | 50:2 | 76 |
| Collage & Colour | 50:3 | 166 |
| computer, Embroidery design with scanner and | 50:2 | 80 |
| conservation for a major exhibition, Tapestry | 50:6 | 355 |
| Creith, Frankie | 50:5 | 306 |
| Dawson, Sue | 50:2 | 74 |
| disguise and transformation, Identity and | 50:6 | 358 |
| distance-learning experience, A | 50:2 | 78 |
| Dix, Fiona | 50:1 | 40 |
| Doc Marten embellishment | 50:3 | 142 |
| Dolls with Attitude, Margi Hennen - | 50:1 | 11 |
| Dove, Sue | 50:4 | 217 |
| dyeing in Australia, Natural | 50:4 | 201 |
| Embroidery from A to Z | 50:3 | 176 |
| Embroidery magazine 1932 to 1950 - a curator's view | 50:3 | 152 |
| Embroidery - message and image | 50:5 | 296 |
| Embroidery - seeing with a painterly eye | 50:6 | 329 |
| embroidery machines, A project for | 50:6 | 332 |
| embroidery, Adventures in creative | 50:5 | 304 |
| embroidery, Unravelling some issues in amateur | 50:3 | 156 |
| Embryo | 50:2 | 116 |
| Emck, Katy | 50:4 | 242 |
| Environmental art | 50:6 | 335 |
| Fabrications | 50:6 | 370 |
| Fantasy & Fairy Tales | 50:6 | 364 |
| Faridi Saeed, Samiah | 50:1 | 25 |
| Felt, Dyepot & Stitch, The Alchemy of | 50:4 | 201 |
| Felts, Featherweight | 50:1 | 38 |
| Flint, Ing | 50:4 | 201 |
| Gallery | 50:1 50:2 50:3 50:4 50:5 50:6 | 31 94 159 223 287 351 |
| Gandy, Mabel | 50:1 | 38 |
| Garment, The Disembodied | 50:4 | 230 |
| Gibbs and the G-frame | 50:2 50:3 | 72 150 |
| Gilks, Jenny | 50:6 | 358 |
| Greagsby, Sandra | 50:3 | 176 |
| Greek embroidery reunited with the Guild | 50:6 | 348 |
| Grey, Maggie | 50:4 50:6 | 244 332 |
| Group Dynamics | 50:2 50:5 50:6 | 116 310 370 |
| Hann, Patricia Kay | 50:5 | 304 |
| Harding, Liz | 50:5 | 270 |
| Harrison, Louise | 50:5 | 283 |
| Harrison, Sue | 50:6 | 335 |
| Hashagen, Joanna | 50:6 | 355 |
| hats, Thoughts on the eating of | 50:6 | 356 |
| Hausa, Tradition and fashion among the | 50:6 | 346 |
| Hawken, Deirdre | 50:6 | 356 |
| Hazara prayer cloths, Embroidered | 50:4 | 206 |
| Heathcote, David | 50:6 | 346 |
| Hennen, Margi | 50:1 | 11 |
| Hepburn, Jane | 50:2 | 99 |
| Heraldry, the Embroiderer's Delight | 50:3 | 144 |
| Higginson, Andrea | 50:5 | 300 |
| Howard, Rachael | 50:5 | 287 |
| Hughes, Jennifer | 50:1 50:5 | 8 265 |
| indigo, Patterns in | 50:1 | 8 |
| Internet, A community of stitchers on the | 50:1 | 40 |
| Japan with Love (or Ai), From | 50:1 | 8 |
| jewellery, Explorations in embroidered | 50:2 | 76 |
| Jones, Anne | 50:3 | 156 |
| Kenyon, Jane, A profile of | 50:3 | 154 |
| Kettle, Alice | 50:1 | 52 |
| King, Alison | 50:6 | 329 |
| layering techniques, Slashing and | 50:6 | 344 |
| Littlejohn, Jean | 50:1 | 11 |
| Lochhead, Malcolm | 50:4 | 227 |
| Longley, Jean | 50:1 | 51 |
| Lord Middleton Collection, Tudor embroideries from the | 50:1 | 14 |
| Macarthur, Sue | 50:3 | 139 |
| magazine, 50 years of our | 50:1 | 51 |
| Maries, Jae | 50:4 | 219 |
| Martin, Sian | 50:1 | 31 |
| McCallum, Valerie | 50:2 | 114 |
| Menary, Anne | 50:3 | 166 |
| mitre for the Bishop of London, A | 50:2 | 91 |
| Monet - Artist and Gardener | 50:3 | 163 |
| Moore, Hilary | 50:2 | 78 |
| Moore, Jane | 50:6 | 368 |
| Morrell, Anne | 50:4 50:5 | 206 296 |
| Mortlock, Sheila | 50:2 | 116 |
| Morton, Yvonne | 50:5 | 268 |
| Naylor, Carol | 50:4 | 240 |
| Nicholls, Jill | 50:1 | 27 |
| Oudenaarde and Back, To | 50:6 | 355 |
| Oxford Community Embroidery | 50:1 | 35 |
| paint and stitch, The figure in | 50:3 | 139 |
| painted image, Textiles and the | 50:2 | 112 |
| Pakistan to England in cloth and stitch, From | 50:1 | 25 |
| paper and stitch, Mixed media work in | 50:5 | 306 |
| Paper, The Power of | 50:6 | 368 |
| Pibworth-Hawksley, Rozanne | 50:2 | 91 |
| Rain Forest Warrior | 50:6 | 335 |
| Rangeley, Sue | 50:3 | 159 |
| Rowe, Jane | 50:6 | 364 |
| Sammon, Anja | 50:4 | 212 |
| Samurai | 50:6 | 368 |
| screen printing, Creative | 50:1 | 27 |
| sewing machine, Industrialisation and the | 50:3 | 150 |
| Signs & Symbols | 50:1 | 35 |
| Silver, Judy | 50:1 | 35 |
| Sketch to Stitch, From | 50:4 | 212 |
| sketchbooks, Embroideries from | 50:3 | 136 |
| sketchbooks, Keeping | 50:2 | 88 |
| Slashing and layering techniques | 50:6 | 344 |
| Smith, Barbara Lee | 50:6 | 351 |
| Spender, Michael | 50:6 | 348 |
| Springall, Diana | 50:4 | 223 |
| Stamper, Sue | 50:5 | 310 |
| stitch techniques, Apply and | 50:2 | 102 |
| stumpwork, Contemporary | 50:6 | 364 |
| Szygenda, Lynn | 50:3 | 152 |
| Talbot, Jennifer | 50:5 | 291 |
| Tapestry conservation for a major exhibition | 50:6 | 355 |
| Techno-stitch in Australia | 50:4 | 204 |
| textile workers, The ghosts of ancient | 50:5 | 291 |
| Thai hill-tribe embroidery | 50:5 | 265 |
| Thompson, Elaine | 50:6 | 370 |
| Threadmill Textile Artists | 50:5 | 310 |
| Tilling, Meriel | 50:3 | 144 |
| Tudor embroideries from the Lord Middleton Collection | 50:1 | 14 |
| Turnbull, Fiona | 50:1 | 44 |
| Verstraeten, Gabriella | 50:4 | 204 |
| Walker, Audrey | 50:2 | 94 |
| Ward, Lynne | 50:1 | 35 |
| Willcox & Gibbs machine, Embroidery today on the | 50:2 | 74 |
| Winterton, Beth | 50:1 | 48 |
| Wise, Ann | 50:2 | 104 |
| Worthing Museum Collection | 50:2 | 104 |